Sunday, February 09, 2025
Saturday, July 12, 2008
Soul Semilla Version 1.0
This is all for fun... enjoy.
Jazzy Interlude:
http://www.billsadler.org/Jazzy_Interlude.mp3
Thankufolettinmebemyself.mp3:
http://www.billsadler.org/Thankufolettinmebemyself.mp3
Karma 1:
http://www.billsadler.org/Karma_1.mp3
Morph-Chameleon:
http://www.billsadler.org/Morph-Chameleon.mp3
Placebo Jam:
http://www.billsadler.org/Placebo_Jam.mp3
Scooby Snax:
http://www.billsadler.org/Scooby Snax.mp3
Wide Open:
http://www.billsadler.org/Wide_Open.mp3
Lullabye w-Sax:
http://www.billsadler.org/Lullabye_w-Sax.mp3
Jazzy Interlude:
http://www.billsadler.org/Jazzy_Interlude.mp3
Thankufolettinmebemyself.mp3:
http://www.billsadler.org/Thankufolettinmebemyself.mp3
Karma 1:
http://www.billsadler.org/Karma_1.mp3
Morph-Chameleon:
http://www.billsadler.org/Morph-Chameleon.mp3
Placebo Jam:
http://www.billsadler.org/Placebo_Jam.mp3
Scooby Snax:
http://www.billsadler.org/Scooby Snax.mp3
Wide Open:
http://www.billsadler.org/Wide_Open.mp3
Lullabye w-Sax:
http://www.billsadler.org/Lullabye_w-Sax.mp3
Early Electric Instrumentals
Ex-Girlfriend:
http://www.billsadler.org/Ex-Girlfriend.mp3
Sky Ryder:
http://www.billsadler.org/Sky_Ryder.mp3
Cordoba Regal:
http://www.billsadler.org/Cordoba_Regal.mp3
Minor Burn:
http://www.billsadler.org/Minor_Burn.mp3
Skid Row Tip Toe:
http://www.billsadler.org/Skid_Row_Tip_Toe.mp3
Slow Dancing Shadows:
http://www.billsadler.org/Slow_Dancing_Shadows.mp3
So Sad To See You Go:
http://www.billsadler.org/So_Sad_To_See_You_Go.mp3
Single Coil:
http://www.billsadler.org/Single_Coil.mp3
Parallel Axis:
http://www.billsadler.org/Parallel_Axis.mp3
Aphrodite-So SIngs the Goddess:
http://www.billsadler.org/Aphrodite_So_SIngs_the_Goddess.mp3
Tomorrow Never Knows: This is based on the 808 album version, not the original. The drum programming was extremely difficult. No synthesizers were used other than the Boss DR drum machine.
http://www.billsadler.org/Tomorrow_Never_Knows.mp3
http://www.billsadler.org/Ex-Girlfriend.mp3
Sky Ryder:
http://www.billsadler.org/Sky_Ryder.mp3
Cordoba Regal:
http://www.billsadler.org/Cordoba_Regal.mp3
Minor Burn:
http://www.billsadler.org/Minor_Burn.mp3
Skid Row Tip Toe:
http://www.billsadler.org/Skid_Row_Tip_Toe.mp3
Slow Dancing Shadows:
http://www.billsadler.org/Slow_Dancing_Shadows.mp3
So Sad To See You Go:
http://www.billsadler.org/So_Sad_To_See_You_Go.mp3
Single Coil:
http://www.billsadler.org/Single_Coil.mp3
Parallel Axis:
http://www.billsadler.org/Parallel_Axis.mp3
Aphrodite-So SIngs the Goddess:
http://www.billsadler.org/Aphrodite_So_SIngs_the_Goddess.mp3
Tomorrow Never Knows: This is based on the 808 album version, not the original. The drum programming was extremely difficult. No synthesizers were used other than the Boss DR drum machine.
http://www.billsadler.org/Tomorrow_Never_Knows.mp3
Early Electronic Instrumental Projects
La Riviera:
http://www.billsadler.org/La_Riviera.mp3
Persian Sands:
http://www.billsadler.org/Persian_Sands.mp3
Ambient Wasteland:
http://www.billsadler.org/Ambient_Wasteland.mp3
We Ate The Tofu:
http://www.billsadler.org/We_Ate_The_Tofu.mp3
Afrikan Baroque:
http://www.billsadler.org/Afrikan_Baroque.mp3
Wakari Safari:
http://www.billsadler.org/Wakari_Safari.mp3
Warm Imersion:
http://www.billsadler.org/Warm_Imersion.mp3
http://www.billsadler.org/La_Riviera.mp3
Persian Sands:
http://www.billsadler.org/Persian_Sands.mp3
Ambient Wasteland:
http://www.billsadler.org/Ambient_Wasteland.mp3
We Ate The Tofu:
http://www.billsadler.org/We_Ate_The_Tofu.mp3
Afrikan Baroque:
http://www.billsadler.org/Afrikan_Baroque.mp3
Wakari Safari:
http://www.billsadler.org/Wakari_Safari.mp3
Warm Imersion:
http://www.billsadler.org/Warm_Imersion.mp3
Early Acoustic Instrumental Projects
Slight Glitch In The System:
http://www.billsadler.org/Slight_Glitch_In_The_System.mp3
By The Bus Stop At Night:
http://www.billsadler.org/By_The_Bus_Stop_At_Night.mp3
First Peace:
http://www.billsadler.org/First_Peace.mp3
Give Yourself To Heaven:
http://www.billsadler.org/Give_Yourself_To_Heaven.mp3
Santa Cruz 1985: What a wonderful place and time.
http://www.billsadler.org/Santa_Cruz_1985.mp3
Duet for Guitar and Recorder:
http://www.billsadler.org/Duet_for_Guitar_and_Recorder.mp3
http://www.billsadler.org/Slight_Glitch_In_The_System.mp3
By The Bus Stop At Night:
http://www.billsadler.org/By_The_Bus_Stop_At_Night.mp3
First Peace:
http://www.billsadler.org/First_Peace.mp3
Give Yourself To Heaven:
http://www.billsadler.org/Give_Yourself_To_Heaven.mp3
Santa Cruz 1985: What a wonderful place and time.
http://www.billsadler.org/Santa_Cruz_1985.mp3
Duet for Guitar and Recorder:
http://www.billsadler.org/Duet_for_Guitar_and_Recorder.mp3
Saturday, June 21, 2008
Early Acoustic - Ithaca to Santa Cruz - 1982-1988
The first song I ever wrote, on a hillside in Ithaca, NY, Summer 1982. Sigh....
http://www.billsadler.org/Aint_No Need_To_Worry.mp3
While hiking in Yosemite I became enthralled with a song by REM, and this is what came out later.
http://www.billsadler.org/Beyond_the_Walls.mp3
A song I wrote to get a girl to like me. It didn't work, of course. Too sensitive.
http://www.billsadler.org/Hey_Hey_My_My.mp3
A song I wrote for a girl, Maureen, whom I liked, then changed the name to Julia, her friend, whom I also liked. I enjoyed both, got neither. Sigh....
http://www.billsadler.org/Julia.mp3
A song I wrote while watching dry lightning over Mono Lake, 1987, on my way to Yosemite. Quite a trip, from what I remember, which is most of it.
http://www.billsadler.org/Let_Me_In.mp3
A song I wrote about not being sure about what I was doing, either with the song or with my life at the time. Still searching, but for other "things".
http://www.billsadler.org/Searching.mp3
Yes, she was so shy, and a tease, and I still occasionally wonder what she is up to after all these years. She was a real beauty and probably still is.
http://www.billsadler.org/Shes_So_Shy.mp3
A song I wrote while taking a songwriting class at Cabrillo College, Aptos, CA, Spring of 1988, or so. It is sort of based on some dream imagery.
http://www.billsadler.org/Stronger_Than_Dark.mp3
This song is me playing with my influences. The title is a dead giveaway, and so is the falsetto.
http://www.billsadler.org/Sunburst_Strut.mp3
So, again the shy girl got a song, this one I actually played for her. Her comment: "You sound really sincere." Arrrrrgh, dummy, it was about you. She's gone, but I still sing the song from time to time. I like the poetry of it and its simplicity.
http://www.billsadler.org/To_Maryanne.mp3
My favorite from this series, "Waiting" has seen numerous incarnations. I wrote it during a free time in 1985 on a deck under redwood trees in Bonny Doon, north of Santa Cruz. One of the first songs where I really got to sing.
http://www.billsadler.org/Waiting_for_Her_Love.mp3
http://www.billsadler.org/Aint_No Need_To_Worry.mp3
While hiking in Yosemite I became enthralled with a song by REM, and this is what came out later.
http://www.billsadler.org/Beyond_the_Walls.mp3
A song I wrote to get a girl to like me. It didn't work, of course. Too sensitive.
http://www.billsadler.org/Hey_Hey_My_My.mp3
A song I wrote for a girl, Maureen, whom I liked, then changed the name to Julia, her friend, whom I also liked. I enjoyed both, got neither. Sigh....
http://www.billsadler.org/Julia.mp3
A song I wrote while watching dry lightning over Mono Lake, 1987, on my way to Yosemite. Quite a trip, from what I remember, which is most of it.
http://www.billsadler.org/Let_Me_In.mp3
A song I wrote about not being sure about what I was doing, either with the song or with my life at the time. Still searching, but for other "things".
http://www.billsadler.org/Searching.mp3
Yes, she was so shy, and a tease, and I still occasionally wonder what she is up to after all these years. She was a real beauty and probably still is.
http://www.billsadler.org/Shes_So_Shy.mp3
A song I wrote while taking a songwriting class at Cabrillo College, Aptos, CA, Spring of 1988, or so. It is sort of based on some dream imagery.
http://www.billsadler.org/Stronger_Than_Dark.mp3
This song is me playing with my influences. The title is a dead giveaway, and so is the falsetto.
http://www.billsadler.org/Sunburst_Strut.mp3
So, again the shy girl got a song, this one I actually played for her. Her comment: "You sound really sincere." Arrrrrgh, dummy, it was about you. She's gone, but I still sing the song from time to time. I like the poetry of it and its simplicity.
http://www.billsadler.org/To_Maryanne.mp3
My favorite from this series, "Waiting" has seen numerous incarnations. I wrote it during a free time in 1985 on a deck under redwood trees in Bonny Doon, north of Santa Cruz. One of the first songs where I really got to sing.
http://www.billsadler.org/Waiting_for_Her_Love.mp3
Saturday, July 21, 2007
Vallejo 4
http://www.billsadler.org/bent_rent_and_torn.mp3
Sometimes we become obsessed with a desirable other. We get that person under our skin. We get to the point where existence without that person is next to impossible. We get self-destructive, or we express ourselves in song. This is both.
http://www.billsadler.org/breakin_up_breakin_down.mp3
Sometimes we fall in love. Sometimes we fall out of love. Sometimes we just fall.
http://www.billsadler.org/lucky_13.mp3
This is a meditation on fame and some of its perks. Jerry Lee Lewis meets Mick Jagger.
http://www.billsadler.org/reverie.mp3
This is a meditation on the subject of the first song above. Her name is coded into the song lyrics. Can you guess what her name is?
http://www.billsadler.org/sun_burst_strut.mp3
I just love Hot Tuna. This song sounds nothing like that band. It is a love song.
http://www.billsadler.org/the_ku_within_you.mp3
Haiku is one of my favorite poetic forms. I composed this set of 14 haikus one day while living at 308 Vallejo St. in Petaluma, California. Then I set the poems to music. Ku to you!
Sometimes we become obsessed with a desirable other. We get that person under our skin. We get to the point where existence without that person is next to impossible. We get self-destructive, or we express ourselves in song. This is both.
http://www.billsadler.org/breakin_up_breakin_down.mp3
Sometimes we fall in love. Sometimes we fall out of love. Sometimes we just fall.
http://www.billsadler.org/lucky_13.mp3
This is a meditation on fame and some of its perks. Jerry Lee Lewis meets Mick Jagger.
http://www.billsadler.org/reverie.mp3
This is a meditation on the subject of the first song above. Her name is coded into the song lyrics. Can you guess what her name is?
http://www.billsadler.org/sun_burst_strut.mp3
I just love Hot Tuna. This song sounds nothing like that band. It is a love song.
http://www.billsadler.org/the_ku_within_you.mp3
Haiku is one of my favorite poetic forms. I composed this set of 14 haikus one day while living at 308 Vallejo St. in Petaluma, California. Then I set the poems to music. Ku to you!
Friday, August 25, 2006
Vallejo 3
http://www.billsadler.org/angel_devin_i_love_you.mp3
This is, in many ways, the ultimate love song for someone that I was obsessed with at the time. Fortunately, she was a good sport and liked the song, but not me. lol!
http://www.billsadler.org/funk_ya.mp3
This song was written after watching the film adaptation of Somerset Maughm's "Of Human Bondage," about a hapless chap who gets hooked up with the wrong lady. He survives and thrives, she does not. Satire is a powerful weapon against despair.
http://www.billsadler.org/its_a_party.mp3
In the late spring of 1993, while trying to recover from my mother's passing, I wrote and produced this piece. It was recorded on a 4-track, as were most of the pieces on this website, with 16 sound sources, achieved by careful use of bouncing and adding to the mix. The lyrics were written to cheer myself up and to make fun of my friends recreational preferences, not mine.
http://www.billsadler.org/taking_out_the_garbage.mp3
Ecology anyone? I mean, really, isn't it time we all took responsibility for our home?
http://www.billsadler.org/shadows_of_the_rain.mp3
According to some experienced persons, this is my most successful "pop song." I wrote it in Santa Cruz in the mid-1980's. Can you hear my references? Karl Cordoza plays bass.
http://www.billsadler.org/to_blitzed_to_bop.mp3
I do not advocate excess, and this piece expresses that conviction. It is not autobiographical. Thanks to Jimi Hendrix for the "broom" reference.
This is, in many ways, the ultimate love song for someone that I was obsessed with at the time. Fortunately, she was a good sport and liked the song, but not me. lol!
http://www.billsadler.org/funk_ya.mp3
This song was written after watching the film adaptation of Somerset Maughm's "Of Human Bondage," about a hapless chap who gets hooked up with the wrong lady. He survives and thrives, she does not. Satire is a powerful weapon against despair.
http://www.billsadler.org/its_a_party.mp3
In the late spring of 1993, while trying to recover from my mother's passing, I wrote and produced this piece. It was recorded on a 4-track, as were most of the pieces on this website, with 16 sound sources, achieved by careful use of bouncing and adding to the mix. The lyrics were written to cheer myself up and to make fun of my friends recreational preferences, not mine.
http://www.billsadler.org/taking_out_the_garbage.mp3
Ecology anyone? I mean, really, isn't it time we all took responsibility for our home?
http://www.billsadler.org/shadows_of_the_rain.mp3
According to some experienced persons, this is my most successful "pop song." I wrote it in Santa Cruz in the mid-1980's. Can you hear my references? Karl Cordoza plays bass.
http://www.billsadler.org/to_blitzed_to_bop.mp3
I do not advocate excess, and this piece expresses that conviction. It is not autobiographical. Thanks to Jimi Hendrix for the "broom" reference.
Thursday, June 29, 2006
Vallejo 2
These pieces are a collection of songs that came out of sonic experiments on my 4-track i 1993-1994. My mom had recently passed on and I had a little time to record and try out new sound techiques. These songs are a result of all the cool music I'd heard since I really started paying attention to the details of music production. My friend KC (Karl Cordoza) accompaies me on bass on the songs with the better bass playing techique. Thanks for listening and donate a bit if you can, enjoy.
http://www.billsadler.org/aluminum.mp3
"Aluminum" was an experiment in not maintaining a consistent theme; all atifice. It rocks!
http://www.billsadler.org/the_load.mp3
"The Load" is part of a series of pieces that feature protagonists who are facing really hard times. Too many people are in this condition.
http://www.billsadler.org/dead_beat_blues.mp3
"Dead Beat Blues" continues the saga of a lost part of our society.
http://www.billsadler.org/fantasy_girl.mp3
Psychology 101: Eros Fantasticus Femalia.
http://www.billsadler.org/fly_away.mp3
Deep reggae is hard to find these days. The loss of one's mother is not.
http://www.billsadler.org/smoke_ring.mp3
Too many people judge what they don't understand. One needn't partake to get it. I choose the second option.
http://www.billsadler.org/warrior_song.mp3
Native American music has inspired a lot of my creativity. Here is something to offer back. Thanks.
http://www.billsadler.org/tech_nickle_knockout.mp3
Lots of inspirations, original creations, similar results, mosaic of music, some collaboration, mixed reaction, celebration
http://www.billsadler.org/aluminum.mp3
"Aluminum" was an experiment in not maintaining a consistent theme; all atifice. It rocks!
http://www.billsadler.org/the_load.mp3
"The Load" is part of a series of pieces that feature protagonists who are facing really hard times. Too many people are in this condition.
http://www.billsadler.org/dead_beat_blues.mp3
"Dead Beat Blues" continues the saga of a lost part of our society.
http://www.billsadler.org/fantasy_girl.mp3
Psychology 101: Eros Fantasticus Femalia.
http://www.billsadler.org/fly_away.mp3
Deep reggae is hard to find these days. The loss of one's mother is not.
http://www.billsadler.org/smoke_ring.mp3
Too many people judge what they don't understand. One needn't partake to get it. I choose the second option.
http://www.billsadler.org/warrior_song.mp3
Native American music has inspired a lot of my creativity. Here is something to offer back. Thanks.
http://www.billsadler.org/tech_nickle_knockout.mp3
Lots of inspirations, original creations, similar results, mosaic of music, some collaboration, mixed reaction, celebration
Monday, June 19, 2006
Vallejo 1
These songs were all recorded at 308 Vallejo Street in Petaluma, most during the early 1990's. Some had been composed during the early 80's, mostly acoustic on these collections. This bit isn't necessarily acoustic. Enjoy the music and please click on the "donate" button if you like it. Thanks.
http://www.billsadler.org/Horizons.mp3
The first multi-track that I did wasn't really what I intended, so I reached for the horizons and I got hold of a chunk of the prevailing spirit of the times. This is the first vocal song that I recorded with the Mesa Boogie amp. I apologize for any excess.
http://www.billsadler.org/want_it.mp3
Addiction is a mean traitorous vampire of the soul. Desire is the root of all emotional pain, sort of. (Especially for that which you can not have : ...(
http://www.billsadler.org/im_on_a_train.mp3
Pat Langst (bass) and I collaborated on 2 rhythm sections. This is one of them.
http://www.billsadler.org/fare_you_well.mp3
A good bye song for a friend who went to Europe in 1985. Hi Julia (UCSC),,,
http://www.billsadler.org/stupid_people.mp3
I'm from New York. This was written post 09/11/01. Lou Reed was an inspiration. Hey hey, yeah yeah!
http://www.billsadler.org/waiting_for_danika.mp3
One of my "best" songs, ever. Inspired by a would-be tenant who did become one later. Big mistake. Life lesson.
http://www.billsadler.org/illrememberyou.mp3
My mom died in 1992 of cancer, rather suddenly. She got to hear some music I made and was touched by it. That touched me. This is for her and all the loved ones I've lost. Thank you, Mom.
http://www.billsadler.org/Horizons.mp3
The first multi-track that I did wasn't really what I intended, so I reached for the horizons and I got hold of a chunk of the prevailing spirit of the times. This is the first vocal song that I recorded with the Mesa Boogie amp. I apologize for any excess.
http://www.billsadler.org/want_it.mp3
Addiction is a mean traitorous vampire of the soul. Desire is the root of all emotional pain, sort of. (Especially for that which you can not have : ...(
http://www.billsadler.org/im_on_a_train.mp3
Pat Langst (bass) and I collaborated on 2 rhythm sections. This is one of them.
http://www.billsadler.org/fare_you_well.mp3
A good bye song for a friend who went to Europe in 1985. Hi Julia (UCSC),,,
http://www.billsadler.org/stupid_people.mp3
I'm from New York. This was written post 09/11/01. Lou Reed was an inspiration. Hey hey, yeah yeah!
http://www.billsadler.org/waiting_for_danika.mp3
One of my "best" songs, ever. Inspired by a would-be tenant who did become one later. Big mistake. Life lesson.
http://www.billsadler.org/illrememberyou.mp3
My mom died in 1992 of cancer, rather suddenly. She got to hear some music I made and was touched by it. That touched me. This is for her and all the loved ones I've lost. Thank you, Mom.
